Friday, March 19, 2010

Listen to our whole set from the Cake Shop via NYCTAPER

The Vandelles: February 26, 2010 Cake Shop - FLAC and MP3 Downloads

Posted by acidjack - 16/03/10 at 08:03 pm

vandelles1
[Photo courtesy of Chris Becker for greenshoelace.com]

Although I had just caught them earlier in the month at Littlefield, my second Vandelles experience was no less entertaining. Well-slotted in the coveted “second to last” position on an excellent five-act roster, the band ripped through a similar set to the Littlefield show. This set seemed a bit tighter than that one, and fortunately, the Vandelles avoided the fate of the act that followed them, MiniBoone, who shorted out most of the electrical equipment onstage and ended up playing an impromptu semi-acoustic freeform set.

I recorded this set way upfront with the miniature DPA microphones mounted to my hat. The sound is excellent and there is almost no crowd chatter. Enjoy!

The Vandelles play Cameo Gallery and Lit Lounge on March 26 and 27, respectively. Check them out!

Direct download of MP3 files (HERE)

PLEASE RESPECT THE LIMITS OF THE NYCTAPER SERVER AND DO NOT REPOST THE DIRECT LINK.

Email nyctaper with a request for the download location of the FLAC files.

Firefox users can Down Them All! at once (here).

The Vandelles
2010-02-26
Cake Shop
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper

Equipment: DPA 4061>Sony PCM-M10 (24/44.1)
Position: FOB, DFC, about 5′ from stage, HRTF
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, downsample, amplify each channel)>FLAC ( level 8 )

Tracks:
01 Intro
02 Get Down
03 Fever of the Beat
04 Bomb the Surf
05 Going Downtown
06 Dash N Dive
07 California Killer
08 Die For It Cowboy
09 Bad Volcano

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Vandelles, visit their website, visit their MySpace page, and purchase their official releases directly from the SVC Records [here].

Tuesday, March 2, 2010

Rob Sacher, infamous owner of Luna Lounge, mentions us in a recent interview with Brooklyn Mast

Thanks for the mention Rob...

A Downtown Legend in Brooklyn!

In Artist, Bars, Brooklyn, Brooklyn Artist, Brooklyn Bands, Culture and Life, Williamsburg on March 2, 2010 at 1:00 PM

- If you played in a band in the late nineties there was no better place to play then Luna Lounge. Located on Ludlow Street in the heart of the lower east side it was the epicenter for the downtown music scene. Rob Sacher, part owner had an ear for music and his ear literally helped change downtown forever. In my opinion, the NYC music scene was never the same the day Luna Lounge closed in 2005. It’s where such bands as The Strokes, Elliot Smith, Interpol, Yeah, Yeah, Yeahs and I think even De La Soul got their start. It was literally a launching pad for the next big thing. I interviewed Rob in regards to a rumor that he is writing a book about those magical days. Keep reading below..and Rob keep writing!

1. When did you open (L.E.S.) Luna Lounge and went did it officially close?My former partner, Dianne Galliano and I, opened Luna Lounge in August of 1995. We officially closed in June of 2005.

2. What were your goals in regards to Luna at this time? ( I always loved the Luna favorite bands page on the site. At the time it was a great accomplishment for a band starting out in NYC.) My goal was to create a comfortable bar on the Lower East Side where my friends, and their friends, would like to hang out. In the beginning, the back room was not a performance space. It was filled with a dozen easy chairs which we had purchased, used, at a Salvation Army store in Allentown, PA.. It was not until a couple of months after we opened that we decided to do live music in the back room. One chair remained throughout the decade and was still there on the day that we closed. It’s now in the Rock-Roll Hall Of Fame, or maybe in a land fill in Staten Island.

3. Top 5 Bands that came through? Wow, that’s a tough one to answer. It’s like asking which of the five fingers on your hand comes through as your favorite. What good is a thumb without a pointer? Obviously, I was profoundly affected by Elliott Smith and his performance at Luna Lounge. I also remember the night that The Strokes first performed at Luna and thinking that they would be the best band with whom I would ever work with, Interpol’s not so secret show where Luna was so crowded that I could not get into the back room and had to watch it on our television hanging overhead at the front end of our bar, Longwave’s show, when they returned after having headlined at Irving Plaza, to perform one last time at Luna a few weeks before we closed, and Cheap Trick. No, wait, that was a dream that I had. Cheap Trick didn’t really play at Luna…

4. Assuming you’ll answer The Strokes: Did you think The Strokes would make it as big as they did after seeing them for the first time? Who really ever knows how high is up? I did know that The Strokes were the best band that I had ever worked with at Luna Lounge

5. Top 5 Bands that never made it that played Luna? Ah, the list of ’should have beens’ will have to include:

1. Bulldog, short lived band including members of the Detroit Cobras and the Black Crows. They certainly rocked my world on the night that they played Luna Lounge.

2. The Astrojet, the psychedelic guitar rock band featuring Jody Porter, otherwise known as the lead guitarist in Fountains Of Wayne. I still listen to songs from their album almost every week.

3. Kitty In The Tree, never the same after the tragic events of 9/11…

4. Travis Pickle, a very smart rock pop band that often played to a full room at Luna and whose album was the first one to be released on our label, LunaSea Records.

5. Probe, a concept band from the twenty second century… Just too far ahead of their time!

6. I remember you started a record label, how did that come about?

I wanted to find a very good way to lose all of my money so I came up with the idea of starting a label. Almost all of the bands broke up within months of having released their music on LunaSea, which led to our motto, “You Got To Be Crazy To Be On LunaSea.” No, actually, I wanted to help draw some attention to some of the very good talent that was playing at Luna Lounge…

7. Was Brooklyn your first choice for the second attempt at Luna Lounge?

My first choice was to stay on the Lower East Side but that was not practical, but I also wanted to be near where the talent was living and that was no longer in Manhattan. I loved the building in which we created the Brooklyn version of Luna Lounge and it might have been successful had I been able to have more booking agents commit to booking shows there but, unfortunately, I ended up in direct competition with another night club organization that probably blocked that from happening.

8. Your new club Satellite Lounge is not a venue for bands to play. What was behind that decision?

The dismal state of the American economy. The dismal state of my economy. I was driving a taxi cab last year after being nearly economically wiped out. This space became available in a neighborhood on a block filled with people who are rooting for my come back… Satellite Lounge will soon be doing acoustic shows, but this bar is really about having a place to hoist up a beer and sing along with my IPOD.

9. How has the music scene changed since the original Luna Lounge? Obviously the NYC explosion over saturated the scene, but what other factors do you think changed the scene?

New York City had always been a place where musicians had migrated from other parts of the world. When it was cheaper to live here, the city had character. It was filled with characters… Now those characters are living in Bushwick. Some of the best bands I have seen in the last decade are living in Brooklyn. Three of which come to mind are The Vandelles, Cruel Black Dove, and Telltale, and while they do perform in Manhattan clubs, I do not believe that they ever hang out there, preferring to stay in Brooklyn where the cost of living is lower.

10. What bands are you listening to these days? The Vandelles, Hurricane Bells, Cruel Black Dove, Telltale, The Izzys, A Place To Bury Strangers, Ceremony, and Longwave.

11. Today, what motivates you? A desire to finish my autobiography, I try and write everyday.

12. I am seriously excited about your upcoming book and think you have a great story to tell. What was behind your decision to write one?

There are quite a number of young girls who come into Satellite Lounge. They often like to sit on my lap and ask me to tell them a story. So, I make up a lot of shit. One day, I realized that some of the stuff I retold was actually true, and that I should write it down before I could not recall the difference. Honestly, I am bored to death sitting at the bar night after night. I need a project, something with which I can have a creative release in my life. And, unless someone wants to invest in a new version of Luna Lounge, I cannot foresee anything for me ahead but continuing shots of Jack and bottles of beer to reboot. So, a book about Rob seemed like a good idea at the time.

Any last words or people you would like to acknowledge? Yes, I would like to thank my taylor, Simon, my therapist, Dr. Robert, and my ex, who had the foresight to leave me just when I needed her most…

Stop by Satellite Lounge if Rob is involved it’s bound to be good.

http://brooklynmast.com/2010/03/02/a-downtown-legend-in-brooklyn/

Thursday, February 25, 2010

Dave Cromwell Reviews Our Mercury Lounge Gig

It's a very active music scene is New York these days. Going to see one band frequently leads you to the music of another. Most nights out feature at least 3 bands on any one showcase. As a result of this, I have been fortunate to discover new and emerging artists though their friendships and professional relationships with musicians I was already a fan of. Such is the case with The Vandelles.



As it turns out, I was already familiar with The Vandelles frontman and primary force - guitarist and lead vocalist Jason Schwartz (orJasno Suarez as he is sometimes amusingly known as). Jason and I were somewhat friendly way back in the early part of this decade - when we used to attend Ravonettes shows together around the New York area - and converse a bit via message forums relating to that band. Then we sort of lost touch (as these things frequently happen). It's nobody's fault, but just the result of our busy lives as we attempt to move forward and make progress while attempting to figure this whole thing out.

Bassist/vocalist Lisha the Viper

Jump ahead to the CMJ fest of October 2009. I have been very much into that little ol' band from Texas (no, not ZZ Top) but Ringo Deathstarr for a while now. They are playing shows in New York and I plan on attending, if not all, then certainly most of them. Their first show in New York that week was at Fontana's on the Lower East Side. DJing that night's festivities is the Vandelles other guitaristChristo Buffam. It turns out the Vandelles and Ringo Deathstarr have a mutual professional relationship and friendship. I meet various members of RD and Christo as well. I tell him that I "used to know Jason" and make a point to get in touch. Three days later I catch The Vandelles for the first time at an "anti CMJ" party being held at theBrooklyn venue Lake Johnson. Jason and I reconnect and I'm duly impressed with the quality of The Vandelles music as well as their visual presentation. By "visual presention" of course I mean there are also two cute girls in the band.


Sonic annihilator Christo Buffam

I would not be able to attend another Vandelles show until January 22, 2010 at The Mercury Lounge. In between the two live shows I was fortunate to be sent an advance mp3 audio copy of their soon to be released full length album. Listening to what Jason and his musical associates have created has been a thoroughly rewarding experience. The sound quality and overall direction is some of the best stuff I've heard in years. It contains so many of the elements of music that I truly love, and I'd be shocked that upon release, this album didn't catapult The Vandelles to the same level as say as band like A Place To Bury Strangers currently resides on.

Drummer Suzanne ("Honey") P.

So, what about their live show at the Mercury Lounge?

The band opened with the almost poppy “Get Down”. Here in the live environment it’s the opposite of most bands. That is, the vocals are much clearer than what is on the recorded output. Well, at least what I have heard. I’ve been told that some of the advance tracks sent to media types contain “demo” vocals. That perhaps the vocals will be clearer once the final product has been released? I’m not so sure it matters to me, really as I’ve always been a big fan of the “buried” vocal. Whether it be My Bloody Valentine and The Cocteau Twins in the early 90’s or a current band like The Depreciation Guild. However that develops for The Vandelles ulimate recorded release, this live version of “Get Down” is a bass heavy fuzz-fest with frontman Jason telling a tale conversational style on the verses, with bassist Lisha “the Viper” providing essential background harmonies on the bridge.

Check out that performance here:

http://www.youtube.com/watch?v=U4gyX7cTRCs



With the crowd fully pumped from the outset, the band then launched into “Fever of the Beat.” The songs angular, choppy rhythm with aggressive drumming from Honey Sue then gives way to a smooth verse section. Jason delivers the vocals just to get it to the great bass riff – and then back to bashing drums with -Christo’s sinuey guitar-line running underneath it all. Clocking in at a mere 2 minutes in length, there isn’t a wasted moment, as the band gets in and back out again, with a loose precision.

Check it out here:

http://www.youtube.com/watch?v=R765imX-Tvk




Next up was the band's first ever live performance of the song "Going Downtown," and they pulled it off with confidence. The song itself drives off a heavy riff with syncopated percussion that is soon followed by buzzsaw guitar chords. A verse is sung then a sonic squall of noise shatters the air - and then back into that downbeat riff. The Vandelles two pretty females comprising the rhythm section are a powerful force of smash and rumble. Jason and Christo play hellacious noise guitar over top and somehow it all fits perfectly together.

Have a listen here:

http://www.youtube.com/watch?v=GSxWx5hFves


After an equally compelling version of "Bomb The Surf," the band launched into one of my person faves in "California Killer." A song all about the good times of "crusing down the highway" and "trying to find another way to get my kicks," the lovely rhythm section rumbles like a 57 Chevy as Jason slings his guitar behind his back to deliver the lyrics. However, it's hardly a "guitar-less" moment as Christo is squalling some of the rudest noise out of his amp that anyone should be rightfully allowed to do so. Once they get to the catchy change, Jasno is back on board, delivering the twang as he paints a picture of tanned bodies on California beaches. A long central instrumental section allows the listener to make up their own "beach fantasy". Since "killer" is in the title, I like to imagine a cheesy west coast slasher flick, or perhaps a 60's beach movie with a rubber fish-monster attacking girls in bikini's. Sweet.

Well, have a listen for yourself:

http://www.youtube.com/watch?v=yK0rxzbSQqc



"Dash N' Dive" was then played, followed by the twang-heavy "Lovely Weather." Breathy tandem vocals from Jase and Lisha only serve to set up the pure sonic-assault that follows. It goes from twangy stomp to a buzz saw shredding from Christo and Jason - while Lisha and Sue lay down the never-veered-from anchored groove to it all.

The forecast:

http://www.youtube.com/watch?v=6mBolSdBrFg



The band then ripped through "Swell To Heaven" and followed that with the tender
50's-style love ballad "Chain Walking." The packed Mercury Loungecrowd was loving every moment of the show as they moved in tighter and surged closer to the stage. It was now time for the sonically detective noir themed "Bad Volcano" which the band delivered a knockout version. Guitarist Christo is prominently featured as he lays out the surf-riff underpinings to Jason's vocal. Honey Sue and Viper Lisha throttled the bash and pop with teetering-on-the-edge wreckless abandon. It all lead to a glorious reverberated middle-to-endout guitar orgy.

Check it out:

http://www.youtube.com/watch?v=aKl84PbPLIw



One more song was played - a cover of Spacemen 3's "Losing Touch With My Mind" and then they were done.

Pre and post-show I was able to corner three-quarters of the band for an amusing and informative interview. You can view that here:

http://www.youtube.com/watch?v=fgsFsLmkaWs




Having recently released a 5 song EP in the UK on SVC Records, the band now prepares for their full-length debut on these shores.

Go out and get these records if you can, and be sure to catch them live at one of their upcoming shows.

Essential links:


http://www.myspace.com/thevandelles

Tuesday, February 16, 2010

Grimy Goods Thinks We're the Best Thing Outta Brooklyn....

Feb 4
2010

The Vandelles – EP Review

These kids sound like they should be in a Tarantino soundtrack! As if Brooklyn wasn’t a big enough spawning ground for some first-class, premium beef (or veggie) rock bands, The Vandelles are one of the best bands I’ve heard come out of BK lately.

Rocking that fuzzy psych noir, The Vandelles exude all things bad-ass while keeping it both sexy and mysterious. Composed of four reverb-loving thrashers, the band features an all-female rhythm section with Suzanne Pagliorola (aka. Honey) rolling out some gnarly drums and Lisha Nadkarni (aka. The Viper) holding down those vicious bass lines. Styling it up with some snazzy textures and vocals that come off righteously detached, guitarists Jason Schwartz (aka. Jonny Strings) and Christo Buffam are hypnotically sexy. Together the quartet delivers some amp blowing music dripping of extraordinary appeal.


Photo: Jen McManus

Their self-titled debut LP was just released this past January by Safranin Records (US) and SVC Records (UK). The first track “Lovely Weather” reminds me a bit of the early Raveonettes with their sexy distortions, fuzzy guitar riffs and surf rock undertones. Except The Vandelles bring it a lot darker, and a lot harder—sans any poppy vocals. I definitely hear some Ramones in “Swell to Heaven” and get the sudden urge to have some fun in the warm California sun.

The Vandelles definitely touch on various rock influences and are guilty of bringing out a sound that has been heard before, nonetheless these kids fuckin’ kill it. They fuse only the best and cook it up with their own style, explosive sound, and an alluring essence so hot you can’t help but dig their shit.

Get their debut EP here and check em’ out on their Myspace or Facebook while you’re at it.

Words: Sandy B.